Come and Sing Messiah

"Come and Sing Messiah" at St Peter’s Church in Ruddington was a joyful celebration, bringing together the Ruddington & District Choral Society and a mix of local and visiting singers. The event marked the start of the Christmas season with Handel's magnificent work. The performance ended with enthusiastic applause from both the audience and the participants, highlighting the communal spirit and sheer joy of making music together.

Soloists and Musical Contributions

A special acknowledgment goes to the soloists: Jane Harwood, Philip Leech, and James Farmer, who delivered outstanding performances. The organist, Michael Overbury, showcased his musical expertise once again. The evening wouldn't have been possible without the efforts of Paul Hayward, the Musical Director, whose skilled conducting and enthusiasm ensured a splendid and uplifting evening for everyone involved.

Historical Context of Handel's Messiah

Handel's Messiah, composed nearly three centuries ago, is not just a piece of music but an integral part of English cultural heritage. By the late 1730s, the popularity of grand Italian opera was waning, and there was a shift towards English-language productions. Handel, facing financial difficulties, wisely transitioned to composing English oratorios. In 1741, Charles Jennens sent Handel a new libretto for an oratorio, hoping it would showcase Handel's full genius. Handel composed the Messiah in just 24 days, and despite some manuscript imperfections, it has since become one of the most celebrated works in choral music.

Premier and Reception

The premiere took place in Dublin in April 1742, using choirs from St Patrick's and Christ Church Cathedrals, with notable soloists like Christina Maria Avoglio and Susannah Cibber. The charities benefiting from the premiere included prisoners' debt relief, the Mercer's Hospital, and the Charitable Infirmary. The performance was highly praised, and the proceeds helped release 142 indebted prisoners.

Personal Reflection

For the writer, the Messiah holds a deeply personal significance. Recalling a transformative experience from the winter of 1960, when a geography teacher invited him to a Messiah concert, he describes this event as a defining moment that sparked a lifelong love for classical music. This personal history was echoed in last night's performance, evoking memories and a profound appreciation for the music. The writer's gratitude extends to all those who made the event possible, recognizing the enduring impact of music on their life.

Concluding Thoughts

The "Come and Sing Messiah" event at St Peter’s was a testament to the power of music to bring people together and create lasting memories. The performance not only celebrated the festive season but also continued the tradition of supporting charitable causes, with a collection taken for the local homeless charity, The Friary. The evening was a beautiful blend of community, history, and personal reflection, leaving all who attended with a sense of upliftment and joy.